Dispossessed: Matt Black


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Photo by Matt Black - The Dispossession - Counting change in a homeless camp

Counting change in a homeless camp, Fresno, California: photo by Matt Black, 2011 (Matt Black Photography)


The days of our years are threescore and ten; and if by reason of strength they be fourscore years, yet is their strength labour and sorrow.

-- Psalm 90:10



Photo by Matt Black - The Dispossession - Former construction worker at a homeless camp

Former construction worker at a homeless camp, Fresno, California
: photo by Matt Black, 2011 (Matt Black Photography)


Photo by Matt Black - The Dispossession - Woman at her shantytown home

Woman at her shantytown home, Fresno, California
: photo by Matt Black, 2011 (Matt Black Photography)


Photo by Matt Black - The Dispossession - A stranded migrant in his shanty

A stranded migrant in his shanty, Fresno, California: photo by Matt Black, 2011 (Matt Black Photography)


Photo by Matt Black - The Dispossession - A couple outside their shanty

A couple outside their shanty, Fresno, California: photo by Matt Black, 2011 (Matt Black Photography)


Photo by Matt Black - The Dispossession - Hunting for recyclables


Hunting for recyclables, Mendota, California: photo by Matt Black, 2011 (Matt Black Photography)


Documentary Photographer Matt Black - The Kingdom of Dust - Jobless man at his shantytown home.

Jobless man at his shantytown home, Fresno, California: photo by Matt Black, 2011 (Matt Black Photography)


Documentary Photographer Matt Black - The Kingdom of Dust - >Homeless men at an irrigation canal.


Homeless men at an irrigation canal, Mendota, California: photo by Matt Black, 2011 (Matt Black Photography)


Documentary Photographer Matt Black - The Kingdom of Dust - An idled farmworker's makeshift home.

An idled farmworker's makeshift home, Mendota, California: photo by Matt Black, 2011 (Matt Black Photography)


Documentary Photographer Matt Black - The Kingdom of Dust - Jobless man bathes in a ditch.

Jobless man bathes in a ditch, Mendota, California: photo by Matt Black, 2011 (Matt Black Photography)


Documentary Photographer Matt Black - The Kingdom of Dust - Boy with an old farm truck.

Boy with an old farm truck, Teviston, California: photo by Matt Black, 2011 (Matt Black Photography)


Documentary Photographer Matt Black - The Kingdom of Dust - Former cotton migrant at home.

Former cotton migrant at home, Teviston, California: photo by Matt Black, 2011 (Matt Black Photography)


Matt Black Photo - The Black Okies - Texas migrant at his home.


Ex-farmworker in his yard, Teviston, California: photo by Matt Black, 2011 (Matt Black Photography)


The great contemporary documentary photographer Matt Black is a native of the Central Valley of California; in his images the trials and struggles of its people are at once faithfully registered in particular material detail, and raised up into the realm of a haunting historical poetry. The photos in this post are drawn from several portfolios on his website. Some passages excerpted from Matt's accompanying text:

In the worst economic crisis since the Great Depression, few areas suffered more than California's Central Valley, where recession and a three-year drought combined into a perfect storm of hardship. In some communities, unemployment rose past 40% and more than 40 homes a day were lost to foreclosure. Thousands of acres of farmland sat idle for lack of water, and dust storms brewed where tomatoes and cotton once grew. As the crisis deepened, hunger and homelessness boomed, resulting in a depth of poverty unseen in California since the days of the Dust Bowl.

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Rising from the remnants of what was once a vast inland sea, [the] Central Valley is an agricultural empire unparalleled in the history of the world. Covering an area larger than ten US states, it is home to America's richest farms and generates close to $20 billion dollars' worth of fresh food each year, nearly half of the US supply.

Though this wealth comes from the earth, there is little natural about how it is produced: the Central Valley is a place not so much rural as it is empty-urban -- a thoroughly industrialized farm landscape whose once undulating plains have been tractored into table-top flatness, whose streams have been dammed and whose lakes have been drained. Some farms have become so automated that the tractors are piloted by satellite, and some plots are so vast and monotonous that thousands of pollinating bees die each year because they can't find their way back to their hives. So much water has been pumped from the aquifers that in places the ground has dropped by fifty feet. Most tellingly, the fields are planted, tended and harvested by migrants brought in by the busload: few make more than $10,000 per year, eight out of ten are undocumented, and hardly any know the names of the farmers in whose fields they work.

From the roots of this unnatural wealth has sprung a dysfunctional society, communities whose chronically high unemployment and generational poverty have fostered social ills more commonly associated with big cities. In tiny towns surrounded by farm fields, drug and alcohol addiction is rampant, teenage pregnancies are among the highest in the nation, crime and gangs are commonplace.

Much is revealed by how a society raises its food -- the one thing people both pay for and pray over -- and the Central Valley tells us much about modern life. A modern rural distopia, it is a landscape at once rich but impoverished, industrialized but rural, inhabited but unsettled: a kingdom, but one made of dust, nourishing millions as it consumes itself.

-- Matt Black, 2011 (Matt Black Photography)

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